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LED Dance FloorVirtual Glambot · Galas, Launches, Award Nights & Multi-City Programs · Nationwide
AI Glambot
The red-carpet robot-arm shot.
From one photograph.
Your guest poses once under studio light, and the clip that lands on their phone pushes in, sweeps around them and pulls back out — with your wall sharp the whole way.
An AI Glambot is a red-carpet photo activation where a professional still of the guest is animated by an AI video model into a sweeping virtual camera move — push in, arc around, pull back out with real parallax — so it plays like a Glambot clip without a robot arm in the room.
CEG Interactive runs the whole thing: a Studio Booth-class camera and lighting, a host who coaches the pose, your step-and-repeat or backdrop, the branded overlay and end card, and delivery by text, email or QR into one event gallery. The render costs cents, so every guest can take as many as they like.
A virtual Glambot from CEG Interactive starts between $2,500 and $6,000 per event, and across 208 post-event surveys and more than 200 five-star Google reviews CEG Interactive averages 4.8 out of 5.
TWO MODES OF THE VIRTUAL GLAMBOT
The frame you see first is the photograph from the booth, exactly as the camera took it. Press play and that same frame becomes the clip. Produced by AI.
The photograph is animated untouched. Real outfit, real hair, real wall, real room. Nothing about the guest is restyled, which is why this is the mode aesthetics and beauty brands ask for.
The frame you see first is the photograph from the booth, exactly as the camera took it. Press play and that same frame becomes the clip. Produced by AI.
The still is re-rendered as a catalog look before it moves: couture wardrobe, an abstract press wall built to show parallax, hard press flashes. The guest is still recognizable; the night is not.
Pick the mode by what has to be true on the clip. If the guest must look exactly like they looked that night — a beauty launch, a dermatology brand, a founders’ dinner — run as-is. If the fantasy is the point, run restyle; it is one of the looks in our AI video catalog and it takes the same one photograph.
WHAT YOU GET
Three phases in five seconds: in from full length to the faces, around about forty-five degrees, back out. Ten seconds does not add phases — it buys arc, carrying the camera all the way around and back.
Sponsor lettering stays readable while the camera moves. We tested five video models across 44 clips before we would put that in writing, and the booth runs only the models that keep a branded wall intact.
Your wall in frame, your overlay, your end card, your music bed, and one gallery holding every clip from the night. Guests share from the gallery, and you keep it.
AT A GLANCE
In plain numbers: the virtual Glambot fits in 8 by 8 feet on one 20A circuit, photographs more than 100 guests an hour with 1 to 2 crew, and returns a 5 or 10 second clip at up to 1080p about 1 to 2 minutes after the photo. Your overlay and end card take 5 to 7 business days to build.
DIRECTED GLAMBOT MOVES
Every clip is directed. Each guest gets one move, and the moves are staggered so nobody moves in lockstep: a sway on the push-in, a lean toward a partner during the sweep, a half twirl on the pull-out, and everyone finishing on the lens. The host picks the move at the mark, the same way a real arm operator would.
One guest leans in during the sweep. On the pull-out the woman in red turns a half twirl, and her friend follows a beat later.
Produced by AI from one photograph.
He leans in as the camera sweeps, then takes her hand and turns her through a slow half twirl as it pulls back.
Produced by AI from one photograph.
He tips his head toward her in the sweep. She lets go on the pull-out and turns a half twirl while he grins.
Produced by AI from one photograph.
VIRTUAL GLAMBOT OR THE REAL RIG
Same red carpet, same coached pose, same branded clip on the phone. The difference is what stands behind the guest.
An open-air booth on a stand, a ring light, your step-and-repeat and a red carpet. No arm, no safety radius, one 20A circuit, and it fits where a photo booth fits. The camera move is added after the photograph.
A robotic arm on a base, two softboxes, an operator at the touchscreen and a marked circle the guest stands on. The move is physical and captured in true slow motion, which is why it needs the floor space, the firm floor and the crew.
| Three Rungs Of The Same Ladder | |||
|---|---|---|---|
| Virtual Glambot | Event Glambot | Cinema Glambot | |
| What moves | A virtual camera around a still | A 143 lb arm and a camera, physically | A 600 kg cinema robot and a Phantom |
| The clip | 5 or 10 s virtual move, to 1080p | True slow motion, 4K, on site | True slow motion to 33×, 4K, finished in post |
| Footprint and power | 8 × 8, one 20A circuit, any floor | 12 × 12, one 20A circuit, firm floor | 15 × 15 plus safety radius, three-phase |
| Crew and load-in | 1 to 2, flight cases, under an hour | 2, two road cases, under an hour | 3+, dock or freight lift, 2 to 4 hours |
| Best for | Multi-night programs, tours, low ceilings, out of market | Galas, conferences, incentive dinners, launches | Premieres and award shows where the rig is the story |
Two or three reception nights on one program? Put the arm on the headline night and run the virtual version on the others. A tour of fifteen cities, or a room with a low ceiling and no 20A circuit near the spot? Virtual every night. Want the robot to be the moment? That is our Glambot rentals, and the Cinema version there is a consult, not a booking form. This page is the Glambot alternative for rooms and budgets the arm cannot reach.
WHAT THE VIRTUAL GLAMBOT CANNOT DO
Honest limits, stated before you book
It is not true slow motion. A real arm captures a real hair flip at 120 frames a second and slows it down; this animates a pose, so the guest makes one small directed move and the camera does the rest.
It is one continuous shot of five or ten seconds, up to 1080p. No speed ramp comes out of the model itself, and three camera phases is the honest ceiling at five seconds.
It is not instant. Capture is a normal booth cycle and the clip renders in the background, arriving by text, email or QR about 1 to 2 minutes later rather than handed over at the rail. Wide or fast moves can invent wall surface, so the arc is bounded and your wall fills the frame.
Every clip is labeled as AI wherever it sits next to real captured footage. That is a house rule, and it is there because the fastest way to lose a room is to let people think they watched a robot that was never there.
HOW A GLAMBOT CLIP IS MADE WITHOUT THE ARM
Capture, transform, deliver, with a host running the capture.
- The guest steps to the mark in front of your step-and-repeat or backdrop.
- A host coaches one pose and picks the move. This is the part that decides whether the clip is any good, which is why a person does it and not a screen.
- The camera takes one professional frame under studio lighting.
- That frame goes to a video model with a written camera move and a guard that protects your wall.
- The clip comes back with your overlay and end card on it, lands in the gallery, and reaches the guest by text, email or QR about 1 to 2 minutes after the photo.
Because the marginal cost is model credits rather than crew time, more clips do not cost meaningfully more. That is what makes unlimited clips a real inclusion here and a fiction almost everywhere else.
ALSO RECOMMENDED
Everything we produce from one photograph: camera moves, treatments, scenes and worlds. Thirty-six looks play on our AI video page.
The real arm, when the room and the budget can carry it. See our Glambot rentals for the Event and Cinema versions.
The still version of the same pipeline, with a catalog of looks behind it. Most bookings run our AI photo booths and add the virtual Glambot on top.
BOOK THE VIRTUAL GLAMBOT
Tell us the room, the date and how many nights. We will tell you whether the virtual version, the real arm or another of our AI activations fits, and if the answer is the arm we will say so. Overlays and end cards take 5 to 7 business days to build, so book at least a week before the event.
