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LED Dance FloorAn AI video booth is a staffed photo station where each guest is photographed once under studio lighting, and an AI video model animates that still into a short branded motion clip with a moving virtual camera. CEG Interactive runs the capture, the branding and the delivery: the clip lands by text, email or QR into one event gallery, and because the render cost is cents, every guest can take as many as they like.
The camera move is the product. A still photograph becomes a five or ten second shot that pushes in, sweeps around the guest and pulls back out — the grammar of a red-carpet robot, produced from a photograph instead of a robot arm.
A branded AI video station from CEG Interactive starts between $2,500 and $6,000 per event, and across 208 post-event surveys and more than 200 five-star Google reviews CEG Interactive averages 4.8 out of 5.
THREE BOOTHS THAT FEED AI VIDEO
Every clip starts as a photograph, and the photograph comes from a booth. Which booth depends on the room. All three run the same booth software, the same branded overlay and end card, and the same event gallery, so the clip on the guest’s phone looks identical whichever hardware took the frame.
An attendant carries a ring-light tablet to the guests: seated dinners, cocktail hours, trade-show aisles. No footprint, no backdrop and no power run to the spot; the branding lives in the overlay and the end card.
No footprint · 1 attendant · battery, charged between sets · best for seated dinners, receptions and show floors
A camera on a stand, a ring light or studio strobe, your step-and-repeat or backdrop, and room for a group. This is the frame that carries a logo wall through the camera move, so it is the default for red carpets and launches.
8 × 8 ft · one 20A circuit · 1 host · best for red carpets, galas, launches
The classic curtained booth on casters. Guests step in, the room disappears, and every frame is lit the same way. The wall behind them is the booth’s own, so the branding goes on the wrap, the overlay and the end card.
About 3 × 6 ft, rolls through a standard door · one 20A circuit · 1 attendant · best for lobbies, retail and long-run installs
WHAT YOU GET
A Studio Booth-class camera, professional lighting and your backdrop or step-and-repeat. The guest poses once. That frame becomes frame one of the video, so the clip looks like the room they are standing in.
The logo wall stays in shot and stays sharp through the camera move. An overlay, an end card and a music bed finish every clip, and all of them land in one branded gallery you keep.
A finished clip costs cents in model credits, not crew time. There is no per-guest meter to watch and no reason to cap the line — the ceiling is how fast the camera can photograph people.
THE AI VIDEO LOOKBOOK
Every look below is a real set from our catalog: the guest’s booth photograph, the AI still, and the five or ten second clip built on it. The catalog holds 138 looks today. These thirty-six are the ones we send first, and any of them carries your logo wall, overlay and end card. Press a tile to play the clip.
AI Video Camera Moves
The move is the product. A branded-wall arc, a push-in and pull-out, a dolly zoom, a 360 orbit with confetti frozen mid-air, levitation, light-painting trails, a parallax diorama. These are the shots that normally need a robot arm, a slider or a turntable, produced from one photograph in a room that could never fit the rig.
The booth frame that the branded-wall arc clip animates: one guest, full length, in front of a sponsor step-and-repeat.
A guest stands calm and composed at the center of a packed party frozen in time: dozens of guests around them caught mid-laugh, mid-toast, mid-dance, absolutely motionless, with drinks tilted and hair suspended mid-swing.
A guest stands mid-celebration with a dense burst of metallic confetti frozen perfectly still in the air all around them, every piece caught mid-tumble and catching light.
A guest stands on a red carpet in front of a tall press wall.
A guest stands sharply lit and perfectly still in a pitch-black studio while long ribbons of colored light spiral and loop through the air around them, drawn as continuous glowing trails in electric cyan, magenta, and gold.
A guest stands sharply lit and still in a pitch-black studio with an enormous pair of wings drawn behind them in continuous strokes of glowing light, each feather traced as a luminous line in warm gold and soft white.
A guest is on a high-fashion studio cover shoot: a seamless studio backdrop in a rich saturated color, sculpted beauty lighting from a large softbox with a subtle rim light, and a faint wind machine lifting their hair.
A guest floats serenely a foot above a polished reflective floor, body relaxed and weightless, hair and clothing drifting upward as if gravity has released them.
A guest stands inside a mirrored infinity enclosure lined with continuous LED strips: their reflection repeats away into an endless tunnel in every direction, glowing light lines receding to infinity in a shifting gradient of magenta, cyan, and warm white.
A guest stands against a clean seamless studio backdrop in deep charcoal, lit by a single large sculpted key from one side with a subtle rim light separating them from the background.
A guest floats serenely a foot above a polished reflective floor, body relaxed and weightless, hair and clothing drifting upward as if gravity has released them.
A guest is on a high-fashion studio cover shoot: a seamless studio backdrop in a rich saturated color, sculpted beauty lighting from a large softbox with a subtle rim light, and a faint wind machine lifting their hair.
A guest stands at the end of a long dramatic corridor with strong receding lines: columns, arches, or light fixtures running away behind them to a distant vanishing point.
A guest stands mid-celebration with a dense burst of metallic confetti frozen perfectly still in the air all around them, every piece caught mid-tumble and catching light.
A guest stands at the center of a cinematic action moment captured in extreme slow motion: embers and sparks hang suspended in the air around them, a warm practical fire glow throws light from one side, atmospheric haze fills the space, and a dark industrial environment recedes into deep shadow and blue rim light behind.
A guest stands sharply in focus in the foreground of a scene built in clearly separated depth layers: a distinct near layer of foliage or architectural detail framing the edges, the guest in the mid-ground, and a deep background of city lights or landscape far behind.
AI Video Treatments
The guest stays in the room and the image changes around them: a kaleidoscope bloom, a long-exposure star trail, a blister-pack action figure, a marble bust. Treatments need no venue and no theme, which makes them the answer for trade shows, concourses and conventions.
A guest stands sharp and perfectly still at the center of a long-exposure star-trail effect: continuous concentric circular light trails in warm gold and pale white sweep in complete arcs around them against a deep black field, as though the camera shutter had stayed open while the lights orbited.
A guest is rendered as a classical marble portrait bust on a simple stone plinth in a quiet museum gallery: veined white Carrara marble with softly polished planes and finely carved hair, cropped at the chest in the classical manner.
A guest is centered in a perfectly symmetrical kaleidoscopic mandala: their surroundings, wardrobe color, and the light around them repeat outward in six mirrored wedges of jewel-toned glass, petals, and prismatic shards.
A guest is rendered as an action figure sealed in a blister pack: a molded clear plastic bubble over a bold printed backing card with a color-blocked header, a peg hole at the top, and three small accessory items molded into their own bubbles beside the figure.
AI Video Scenes And Worlds
The guest goes somewhere: a carrier deck at golden hour, inside a breaking wave, an Old Hollywood premiere, courtside, Lunar New Year, a tilt-shift miniature city. Scenes take a theme and an occasion, and a new one is built to your brief in 5 to 7 business days.
A guest stands inside a palace hall carved entirely from ice: translucent crystal columns, faceted ice walls refracting pale blue and silver light, a frozen chandelier of icicles overhead, and tall arched openings revealing a moonlit snowfield.
A guest stands on the flight deck of an aircraft carrier at golden hour, wind whipping across the deck.
A guest stands normally proportioned in the middle of a bustling city plaza photographed from high above at a steep downward angle, rendered with an extreme tilt-shift miniature effect: a razor-thin band of sharp focus across the guest with everything nearer and further falling into heavy soft blur, and color saturation pushed so the buses, awnings, and umbrellas below read like painted model pieces.
A guest is surfing deep inside a barreling wave, crouched low with one hand trailing along the glassy blue-green wall of water beside them.
A guest stands in a narrow urban alley.
A guest is rendered as the hero image of a premium collectible sports trading card: they stand in a dynamic athletic ready stance in a floodlit stadium, captured from a low heroic angle, with the packed stands blurred into a wash of color behind them.
A guest stands on an open rooftop terrace high above a major city at blue hour: an endless field of city lights rendered as soft glowing bokeh behind them, glass towers glittering, warm café-string lights and a fire pit on the terrace, and a deep indigo sky with the last band of sunset at the horizon.
A guest stands on a crimson carpet at a grand film premiere, framed by a velvet rope and a blurred wall of photographers whose flashbulbs burst in silver-white bursts.
A guest is at the center of a packed New Year's Eve ballroom at the stroke of midnight: thousands of silver and gold balloons tumbling from the ceiling, a dense storm of metallic confetti catching the light, an ornate clock reading midnight glowing behind, and a crowd of blurred celebrating guests.
A guest stands in a serene traditional courtyard at night, filled with hundreds of glowing red and gold lanterns hung at every height overhead and receding into the distance.
A guest stands on a small-town main street or open lawn at golden hour on a summer holiday: bunting in faded red, white, and blue strung between lampposts, string lights just coming on, a classic pickup and picnic tables soft in the background, and warm low sun flaring through the trees.
Render the guest as the hero of an original comic book splash page: bold graphic ink linework, halftone dot shading, dynamic radiating action lines, and a saturated four-color palette.
A guest stands in the courtyard of a grand film-set palace at dusk.
A guest stands at a private high-limit gaming salon at midnight: an emerald felt baccarat table with stacked mother-of-pearl chips, a gilded roulette wheel spinning out of focus, and floor-to-ceiling windows framing a glittering harbor of yachts under a deep blue night.
A guest stands on a sunlit clifftop terrace above the Mediterranean: whitewashed arches draped in bougainvillea, a lemon tree heavy with fruit, a long table set with linen and blue-and-white ceramics, and a vast turquoise sea far below meeting a hazy horizon.
A guest stands inside a vast soft chamber built entirely from cloud: billowing pearl-white cumulus forming walls, floor, and arching ceiling, shot through with warm gold and blush light glowing from deep within the vapour.
AT A GLANCE
In plain numbers: the station fits in 8 by 8 feet on one 20A circuit, photographs more than 100 guests an hour with 1 to 2 crew, and returns a 5 or 10 second clip at up to 1080p about 1 to 2 minutes after the photo. It travels nationwide with no freight and no robot to ship.
FOUR WAYS TO RUN AI VIDEO
The camera moves, the guest stays themselves. A real photo of a real outfit in front of your real wall, animated into a push, a sweep and a pull-out. Fits brands whose guests need to look exactly like they looked that night.
The still is restyled into a catalog look first — couture wardrobe, a press wall built for parallax, hard flash — and then animated. Fits themed nights and anywhere the fantasy is the point.
A 360 orbit, a dolly zoom or light-painting trails, produced from one photograph in a room that could never fit the rig those moves normally need. Fits venues that cannot take the rig, and multi-city programs.
Not AI at all: a real camera capturing real slow motion on the night. Fits clients who want genuine captured motion rather than an animated still, and it is where the AI line honestly ends.
Pick by what has to be true. If the guest must look exactly like themselves, run the AI Glambot in as-is mode. If the look is the story, run the restyle. If the room cannot fit a robot arm or a slider, the emulation moves get you the shot anyway. And if what you actually want is real captured motion, take the Video FX Photo Booth and skip the AI entirely — it is a different product and we would rather say so than sell you the wrong one. If the guest should take home a restyled portrait, a printed card or a robot-drawn sketch instead of a clip, the full AI lineup puts all five side by side.
The AI Glambot, in one clip
One frame from the booth, animated into a push, a sweep and a pull-out, with the press wall sliding behind her and every flash on it staying put. The directed moves, the as-is and restyle modes, and the honest comparison with the real arm are all on the AI version of the Glambot.
Produced by AI from one photograph.
WHAT AI VIDEO CANNOT DO
Worth knowing before you book, because the gap between what people picture and what this produces is the only thing that makes these activations land badly.
A real Glambot captures a real hair flip at 120 frames a second and slows it down. This animates a pose. The camera moves; the guest makes one small, directed move — a lean, a half twirl, a smile to the lens — because that is what survives on a real photograph.
Five or ten seconds, up to 1080p. A five-second clip is one continuous move; on a ten-second clip a model can occasionally cut to a close-up, which is one reason five seconds is the default. No speed ramp comes out of the model itself, and three phases is the honest ceiling at five seconds.
The clip is not instant. Capture is a normal booth cycle and the video renders in the background, arriving by text, email or QR about 1 to 2 minutes later rather than handed over at the rail. Wide or fast moves can invent wall surface, so we bound the arc and keep your wall filling the frame.
Every clip produced this way is labeled as AI wherever it sits next to real captured footage. That is a house rule, not a legal one, and it is there because the fastest way to lose a room is to let people think they watched a robot that was never there.
HOW A CLIP IS MADE
Capture, transform, deliver. The guest steps up to a backdrop or your step-and-repeat. A host coaches one pose — this is the part that decides whether the clip is any good, which is why a person does it and not a screen. The camera takes one professional frame under studio lighting. That frame is sent to a video model with a written camera move and a guard that protects your wall, and it comes back as a finished clip with your overlay and end card on it. The guest gets it by text, email or QR about 1 to 2 minutes after the photo, and it is already in your gallery.
Because the marginal cost is model credits rather than crew time, the economics run backwards from every other motion product we rent: more clips do not cost meaningfully more. That is what makes unlimited a real inclusion here and a fiction almost everywhere else.
ALSO RECOMMENDED
The still version of the same pipeline, with a catalog of looks behind it. Most bookings run our AI photo booths and add video on top.
The real arm, when the room and the budget can carry it. See our Glambot rentals for the Event and Cinema versions.
Real captured orbit on a platform, for when guests should be moving rather than posing. Our 360 booths can wrap the platform in your own animated logo wall — see our 360 booths.
BOOK AI VIDEO FOR YOUR EVENT
Tell us the room, the date and how many nights. We will tell you which rung of the ladder fits — and if the answer is the real arm instead of this, we will say so. Overlays and end cards take 5 to 7 business days to build, so book at least a week before the event.
